LET THE SUNSHINE IN!

Can you see the light? How sweet is life but we're crying How mellow the wine but it's dry How fragrant the rose but it's dying How gentle the breeze but it sighs What good is in youth when it's aging What joy is in eyes that can't see When there's sorrow in sunshine and flowers And still only our rivers run free -Michael McConnell Online Users
endilletante:


“The mysterious maya”, by George E. Stuart and Gene S. Stuart, photographs by David Alan Harvey and Otis Imboden, National geographic, 1977.
Imagine being there. What would you smell? Hear? What else could you see? Who could you meet?

endilletante:

“The mysterious maya”, by George E. Stuart and Gene S. Stuart, photographs by David Alan Harvey and Otis Imboden, National geographic, 1977.

Imagine being there. What would you smell? Hear? What else could you see? Who could you meet?

(via mayrabananas)

Peace.

Peace.

[Flash 9 is required to listen to audio.]

—Lianne La Havas - No Room For Doubt (Live)

Lianne La Havas - No Room for Doubt (Live)

Xerosis?

Xerosis?

whileimyoung:

The clouds that build the sun ‘n the sea. (by Rogerin)
Such a hippie right now.

whileimyoung:

The clouds that build the sun ‘n the sea. (by Rogerin)

Such a hippie right now.

I respect this version… a lot.

Summer Camp- Better Off Without You

If you live in Vancouver, this song is just a nice reminder of the GREAT weather that we’ve been having.

doloresdepalabra:

The photographer Adam Fuss is best known for arresting, brilliant colored photograms that break habits of seeing. His work investigates the elements of life and the basic materials of photography. Part of the appeal of the photogram for Fuss is its directness. The objects depicted in the photogram came into physical contact with the very paper on which the final print appears. The experience is somehow more tactile, more visceral.

doloresdepalabra:

The photographer Adam Fuss is best known for arresting, brilliant colored photograms that break habits of seeing. His work investigates the elements of life and the basic materials of photography. Part of the appeal of the photogram for Fuss is its directness. The objects depicted in the photogram came into physical contact with the very paper on which the final print appears. The experience is somehow more tactile, more visceral.

(via ladywilde-)